Though there was already talk of the erection , in remote metropolitan distances " above the Forties , " of
a new Opera House which should compete in costliness and splendour with
those of
the great European capitals 5
4 3 , the world of fashion was still content to reassemble every winter in the shabby red and gold boxes of the sociable old Academy 1
.
Conservatives 6
cherished it 1
for being small and inconvenient , and thus keeping out the " new people " whom
New York 2
was beginning to dread and yet be drawn to
7 ; and the sentimental 8
clung to it 1
for its 1
historic associations , and the musical 9
for its 1
excellent acoustics , always so problematic a quality in halls built for the hearing of music 10
.
It was Madame Nilsson 0
's first appearance that winter , and what the daily press 11
had already learned to describe as " an exceptionally brilliant audience 12
" had gathered to hear her 0
, transported through the slippery , snowy streets in private broughams 13
, in the spacious family landau 14
, or in the humbler but more convenient " Brown coupe 15
. "
To come to the Opera 1
in a Brown coupe 15
was almost as honourable a way of arriving as in one 's own carriage 16
; and departure by the same means 15
had the immense advantage of enabling one ( with a playful allusion to democratic principles ) to scramble into the first Brown conveyance in the line 17
, instead of waiting till the cold-and-gin congested nose of one 's own coachman 18
gleamed under the portico of
the Academy 1
19 .
It was one of the great livery-stableman 20
's most masterly intuitions to have discovered that Americans 21
want to get away from amusement even more quickly than they 21
want to get to it .
When Newland Archer 22
opened the door at the back of the club box 23
the curtain had just gone up on the garden scene .
There was no reason why the young man 22
should not have come earlier , for he 22
had dined at seven , alone with and sister 25
, and had lingered afterward over a cigar in the Gothic library 26
with glazed black-walnut bookcases and finial-topped chairs which was the only room in the house where
Mrs. Archer 24
allowed smoking
27 .
But , in the first place , New York 2
was a metropolis 86
, and perfectly aware that in metropolises 28
it was " not the thing " to arrive early at the opera 29
; and what was or was not " the thing " played a part as important in Newland Archer 22
's New York
30 as the inscrutable totem terrors that had ruled the destinies of thousands of years ago .
The second reason for his 22
delay was a personal one .
He 22
had dawdled over his 22
cigar because he 22
was at heart a dilettante 83
, and thinking over a pleasure to come often gave him 22
a subtler satisfaction than its realisation .
This was especially the case when the pleasure was a delicate one , as his 22
pleasures mostly were ; and on this occasion the moment he 22
looked forward to was so rare and exquisite in quality that -- well , if he 22
had timed his 22
arrival in accord with the prima donna 0
's stage-manager
32 he 22
could not have entered the Academy 1
at a more significant moment than just as she 0
was singing : " He 33
loves me 34
-- he 33
loves me 34
not -- HE 33
LOVES ME 34
!
-- " and sprinkling the falling daisy petals with notes as clear as dew .
She 0
sang , of course , " M'ama ! "
and not " he 33
loves me 34
, " since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists 35
should be translated into Italian for the clearer understanding of English-speaking audiences 36
.
This seemed as natural to Newland Archer 22
as all the other conventions on which his 22
life was moulded : such as the duty of using two silver-backed brushes with his 22
monogram in blue enamel to part his 22
hair , and of never appearing in society without a flower ( preferably a gardenia ) in his 22
buttonhole .
" M'ama ... non m ' ama ... " the prima donna 0
sang , and " M'ama ! "
, with a final burst of love triumphant , as she 0
pressed the dishevelled daisy to her 0
lips and lifted her 0
large eyes to the sophisticated countenance of the little brown Faust-Capoul 37
, who was vainly trying , in a tight purple velvet doublet and plumed cap , to look as pure and true as .
Newland Archer 22
, leaning against the wall at the back of the club box 38
, turned his 22
eyes from the stage and scanned the opposite side of the house 39
.
Directly facing him 22
was the box of old
Mrs. Manson Mingott 41
40 , whose monstrous obesity had long since made it impossible for her 41
to attend the Opera 1
, but who was always represented on fashionable nights by some of
the younger members of the family 42
82 .
On this occasion , the front of the box 43
was filled by her 41
daughter-in-law
44 , Mrs. Lovell Mingott 84
, and , Mrs. Welland 85
; and slightly withdrawn behind these brocaded matrons 46
sat a young girl in white with eyes ecstatically fixed on
the stagelovers 48
47 .
As Madame Nilsson 0
's " M'ama ! "
thrilled out above the silent house 49
( the boxes 50
always stopped talking during the Daisy Song ) a warm pink mounted to the girl 47
's cheek , mantled her 47
brow to the roots of her 47
fair braids , and suffused the young slope of her 0
breast to the line where it met a modest tulle tucker fastened with a single gardenia .
She 47
dropped her 47
eyes to the immense bouquet of lilies-of-the-valley on her 47
knee , and Newland Archer 22
saw her 47
white-gloved finger-tips touch the flowers softly .
He 22
drew a breath of satisfied vanity and his 22
eyes returned to the stage .
No expense had been spared on the setting , which was acknowledged to be very beautiful even by people who shared
his 22
acquaintance with
the Opera houses of
Paris 53
and
Vienna 54
52 51 .
The foreground , to the footlights , was covered with emerald green cloth .
In the middle distance symmetrical mounds of woolly green moss bounded by croquet hoops formed the base of shrubs shaped like orange-trees but studded with large pink and red roses .
Gigantic pansies , considerably larger than the roses , and closely resembling the floral pen-wipers made by female parishioners 55
for fashionable clergymen 56
, sprang from the moss beneath the rose-trees ; and here and there a daisy grafted on a rose-branch flowered with a luxuriance prophetic of Mr. Luther Burbank 58
's far-off prodigies
57 .
In the centre of this enchanted garden 59
Madame Nilsson 0
, in white cashmere slashed with pale blue satin , a reticule dangling from a blue girdle , and large yellow braids carefully disposed on each side of her 0
muslin chemisette , listened with downcast eyes to M. Capoul 37
's impassioned wooing , and affected a guileless incomprehension of his 37
designs whenever , by word or glance , he 37
persuasively indicated the ground floor window of the neat brick villa projecting obliquely from the right wing 60
.
" The darling ! "
thought Newland Archer 22
, his 22
glance flitting back to the young girl with the lilies-of-the-valley 47
.
" She 47
does n't even guess what it 's all about . "
And he 22
contemplated her 47
absorbed young face with a thrill of possessorship in which pride in his 22
own masculine initiation was mingled with a tender reverence for her 47
abysmal purity .
" We 61
'll read Faust 62
together ... by the Italian lakes 63
... " he 22
thought , somewhat hazily confusing the scene of his 22
projected honey-moon with the masterpieces of literature which it would be his 22
manly privilege to reveal to .
It was only that afternoon that May Welland 64
had let him 22
guess that she 64
" cared " ( New York 2
's consecrated phrase of maiden avowal ) , and already his 22
imagination , leaping ahead of the engagement ring , the betrothal kiss and the march from Lohengrin , pictured her 64
at his 22
side in some scene of old European witchery .
He 22
did not in the least wish the future Mrs. Newland Archer 65
to be a simpleton 81
.
He 22
meant her 65
( thanks to his 22
enlightening companionship ) to develop a social tact and readiness of wit enabling her 65
to hold her 65
own with the most popular married women of the " younger set 66
, " in which it was the recognised custom to attract masculine homage while playfully discouraging it .
If he 22
had probed to the bottom of his 22
vanity ( as he 22
sometimes nearly did ) he 22
would have found there the wish that should be as worldly-wise and as eager to please as the married lady whose charms had held
his 22
fancy through two mildly agitated years
67 ; without , of course , any hint of the frailty which had so nearly marred that unhappy being 's life 67
, and had disarranged his 22
own plans for a whole winter .
How this miracle of fire and ice was to be created , and to sustain itself in a harsh world 68
, he 22
had never taken the time to think out ; but he 22
was content to hold his 22
view without analysing it , since he 22
knew it was that of all the carefully-brushed , white-waistcoated , button-hole-flowered gentlemen who succeeded each other in the club box 69
, exchanged friendly greetings with him 22
, and turned their 69
opera-glasses critically on the circle of ladies who were the product of the system 70
.
In matters intellectual and artistic Newland Archer 22
felt himself 22
distinctly the superior of these chosen specimens of old New York gentility 71
; he 22
had probably read more , thought more , and even seen a good deal more of the world 72
, than any other man of the number 73
.
Singly they 73
betrayed their 73
inferiority ; but grouped together they 73
represented " New York 2
, " and the habit of masculine solidarity made him 22
accept their 73
doctrine on all the issues called moral .
He 22
instinctively felt that in this respect it would be troublesome -- and also rather bad form -- to strike out for himself 22
.
" Well -- upon my 74
soul ! "
exclaimed Lawrence Lefferts 74
, turning his 74
opera-glass abruptly away from the stage .
Lawrence Lefferts 74
was , on the whole , the foremost authority on " form " in New York 2
.
He 74
had probably devoted more time than any one else 75
to the study of this intricate and fascinating question ; but study alone could not account for his 74
complete and easy competence .
One had only to look at him 74
, from the slant of his 74
bald forehead and the curve of his 74
beautiful fair moustache to the long patent-leather feet at the other end of his 74
lean and elegant person
74 , to feel that the knowledge of " form " must be congenital in any one who knew how to wear such good clothes so carelessly and carry such height with so much lounging grace 76
.
As a young admirer 77
had once said of him 74
: " If anybody 78
can tell a fellow 79
just when to wear a black tie with evening clothes and when not to , it 's Larry Lefferts 74
. "
And on the question of pumps versus patent-leather " Oxfords " his 74
authority had never been disputed .
" My 74
God ! "
he 74
said ; and silently handed his 74
glass to old Sillerton Jackson 80
.