THE TWO POETS 0
OF SAFFRON PARK 1
THE suburb of Saffron Park 1
lay on the sunset side of London 2
, as red and ragged as a cloud of sunset .
It 1
was built of a bright brick throughout ; its 1
sky-line was fantastic , and even its 1
ground plan was wild .
It 1
had been the outburst of a speculative builder , faintly tinged with art , who called
its 1
architecture sometimes Elizabethan and sometimes Queen Anne , apparently under the impression that
the two sovereigns 3
were identical
94 .
It 1
was described with some justice as an artistic colony , though it 1
never in any definable way produced any art .
But although its 1
pretensions to be an intellectual centre were a little vague , its 1
pretensions to be a pleasant place 4
were quite indisputable .
The stranger who looked for the first time at
the quaint red houses 6
5 could only think how very oddly shaped the people 7
must be who could fit in to them 6
.
Nor when he 5
met the people 7
was he 5
disappointed in this respect .
The place 1
was not only pleasant , but perfect , if once he 5
could regard it not as a deception but rather as a dream .
Even if the people 8
were not “ artists 87
, ” the whole was nevertheless artistic .
That young man with the long , auburn hair and the impudent face 9
-- that young man 9
was not really a poet 10
; but surely he 9
was a poem .
That old gentleman with the wild , white beard and the wild , white hat 11
-- that venerable humbug 11
was not really a philosopher 12
; but at least he 11
was the cause of philosophy in others .
That scientific gentleman with the bald , egg-like head and the bare , bird-like neck 13
had no real right to the airs of science that he 13
assumed .
He 13
had not discovered anything new in biology ; but what biological creature could he 13
have discovered more singular than himself 13
?
Thus , and thus only , the whole place 1
had properly to be regarded ; it 1
had to be considered not so much as a workshop for artists 14
, but as a frail but finished work of art .
A man who stepped into
its 1
social atmosphere
15 felt as if he 15
had stepped into a written comedy .
More especially this attractive unreality fell upon it 1
about nightfall , when the extravagant roofs were dark against the afterglow and the whole insane village 1
seemed as separate as a drifting cloud .
This again was more strongly true of the many nights of local festivity , when the little gardens 16
were often illuminated , and the big Chinese lanterns glowed in the dwarfish trees like some fierce and monstrous fruit .
And this was strongest of all on one particular evening , still vaguely remembered in the locality , of which the auburn-haired poet 9
was the hero 95
.
It was not by any means the only evening of which he 9
was the hero 96
.
On many nights those passing by his 9
little back garden
17 might hear his 9
high , didactic voice laying down the law to men 18
and particularly to women 19
.
The attitude of women 20
in such cases was indeed one of the paradoxes of the place 1
.
were of the kind vaguely called emancipated , and professed some protest against male supremacy .
Yet these new women 23
would always pay to a man 24
the extravagant compliment which no ordinary woman 25
ever pays to him 24
, that of listening while he 24
is talking .
And Mr. Lucian Gregory 9
, the red-haired poet 88
, was really ( in some sense ) a man worth listening to 101
, even if one only laughed at the end of it .
He 9
put the old cant of the lawlessness of art and the art of lawlessness with a certain impudent freshness which gave at least a momentary pleasure .
He 9
was helped in some degree by the arresting oddity of his 9
appearance , which he 9
worked , as the phrase goes , for all it was worth .
His 9
dark red hair parted in the middle was literally like a woman 26
’s , and curved into the slow curls of a virgin 27
in a pre-Raphaelite picture .
From within this almost saintly oval , however , his 9
face projected suddenly broad and brutal , the chin carried forward with a look of cockney contempt .
This combination at once tickled and terrified the nerves of a neurotic population .
He 9
seemed like a walking blasphemy , a blend of the angel 28
and the ape .
This particular evening , if it is remembered for nothing else , will be remembered in that place 1
for its strange sunset .
It looked like the end of the world 29
.
All the heaven seemed covered with a quite vivid and palpable plumage ; you 30
could only say that the sky was full of feathers , and of feathers that almost brushed the face .
Across the great part of the dome they were grey , with the strangest tints of violet and mauve and an unnatural pink or pale green ; but towards the west the whole grew past description , transparent and passionate , and the last red-hot plumes of it covered up the sun like something too good to be seen .
The whole was so close about the earth 31
, as to express nothing but a violent secrecy .
The very empyrean seemed to be a secret .
It expressed that splendid smallness which is the soul of local patriotism .
The very sky seemed small .
I 32
say that there are some inhabitants who may remember the evening if only by that oppressive sky 33
.
There are others who may remember it because it marked the first appearance in
the place 1
of
the second poet of
Saffron Park 1
35 34 .
For a long time the red-haired revolutionary 9
had reigned without a rival 36
; it was upon the night of the sunset that his 9
solitude suddenly ended .
The new poet , who introduced
himself 35
by the name of
Gabriel Syme 35
35 was a very mild-looking mortal , with a fair , pointed beard and faint , yellow hair .
But an impression grew that he 35
was less meek than he 35
looked .
He 35
signalised his 35
entrance by differing with the established poet 9
, Gregory 9
, upon the whole nature of poetry .
He 35
said that he 35
( Syme 97
) was poet of law 91
, a poet of order 90
; nay , he 35
said he 35
was a poet of respectability 89
.
So all the Saffron Parkers 37
looked at him 35
as if he 35
had that moment fallen out of that impossible sky .
In fact , Mr. Lucian Gregory 9
, the anarchic poet 92
, connected the two events .
“ It may well be , ” he 9
said , in his 9
sudden lyrical manner , “ it may well be on such a night of clouds and cruel colours that there is brought forth upon the earth 38
such a portent as a respectable poet 39
.
You 35
say you 35
are a poet of law 93
; I 9
say you 35
are a contradiction in terms .
I 9
only wonder there were not comets and earthquakes on the night you 35
appeared in this garden 17
. ”
The man with the meek blue eyes and the pale , pointed beard 35
endured these thunders with a certain submissive solemnity .
The third party of
the group 41
40 , Rosamond , who had
her 40
brother ’s braids of red hair , but a kindlier face underneath them
40 , laughed with such mixture of admiration and disapproval as she 40
gave commonly to the family oracle 35
.
Gregory 35
resumed in high oratorical good humour .
“ An artist 42
is identical with an anarchist 43
, ” he 35
cried .
“ You 44
might transpose the words anywhere .
An anarchist 45
is an artist 46
.
The man who throws a bomb 47
is an artist 48
, because he 47
prefers a great moment to everything .
He 47
sees how much more valuable is one burst of blazing light , one peal of perfect thunder , than the mere common bodies of a few shapeless policemen 49
.
An artist 50
disregards all governments , abolishes all conventions .
The poet 51
delights in disorder only .
If it were not so , the most poetical thing in the world 52
would be the Underground Railway . ”
“ So it is , ” said Mr. Syme 35
.
“ Nonsense ! ” said Gregory 9
, who was very rational when anyone else 53
attempted paradox .
“ Why do all the clerks 54
and
navvies 55
in
the railway trains 56
57 look so sad and tired , so very sad and tired ?
I 9
will tell you 35
.
It is because they 57
know that the train 58
is going right .
It is because they 57
know that whatever place they 57
have taken a ticket for that place they 57
will reach .
It is because after they 57
have passed Sloane Square 59
they 57
know that the next station 60
must be Victoria 98
, and nothing but Victoria 60
.
Oh , their 57
wild rapture !
oh , their 57
eyes like stars and their 57
souls again in Eden 61
, if the next station 62
were unaccountably Baker Street 69
! ”
“ It is you 9
who are unpoetical , ” replied the poet 35
Syme 35
.
“ If what you 9
say of clerks 63
is true , they 63
can only be as prosaic as your 9
poetry .
The rare , strange thing is to hit the mark ; the gross , obvious thing is to miss it .
We 64
feel it is epical when man with one wild arrow 65
strikes a distant bird .
Is it not also epical when man with one wild engine 66
strikes a distant station 67
?
Chaos is dull ; because in chaos the train 68
might indeed go anywhere , to Baker Street 69
or to Bagdad 70
.
But man 71
is a magician 99
, and his 71
whole magic is in this , that he 71
does say Victoria 60
, and lo !
it is Victoria 60
.
No , take your 9
books of mere poetry and prose ; let me 35
read a time table , with tears of pride .
Take your 9
Byron , who commemorates the defeats of
man 73
72 ; give me 35
Bradshaw , who commemorates
his 73
victories
74 .
Give me 35
Bradshaw 74
, I 35
say ! ”
“ Must you 35
go ? ” inquired Gregory 9
sarcastically .
“ I 35
tell you 9
, ” went on Syme 35
with passion , “ that every time a train 75
comes in I 35
feel that it has broken past batteries of besiegers 76
, and that man 77
has won a battle against chaos .
You 9
say contemptuously that when one has left Sloane Square 59
one must come to Victoria 60
.
I 35
say that one might do a thousand things instead , and that whenever I 35
really come there 60
I 35
have the sense of hairbreadth escape .
And when I 35
hear the guard shout out the word ‘ Victoria 60
, ’ it is not an unmeaning word .
It is to me 35
the cry of a herald 78
announcing conquest .
It is to me 35
indeed ‘ Victoria 60
’ ; it is the victory of Adam 79
. ”
Gregory 9
wagged his 9
heavy , red head with a slow and sad smile .
“ And even then , ” he 9
said , “ we 80
poets 80
always ask the question , ‘ And what is Victoria 60
now that you 35
have got there 60
? ’
You 35
think Victoria 60
is like the New Jerusalem 81
.
We 82
know that the New Jerusalem 81
will only be like Victoria 60
.
Yes , the poet 83
will be discontented even in the streets of
heaven 85
84 .
The poet 86
is always in revolt . ”
“ There again , ” said Syme 35
irritably , “ what is there poetical about being in revolt ?
You 9
might as well say that it is poetical to be sea-sick .
Being sick is a revolt .
Both being sick and being rebellious may be the wholesome thing on certain desperate occasions ; but I 35
’m hanged if I 35
can see why they are poetical .
Revolt in the abstract is -- revolting .
It ’s mere vomiting . ”